Two pedal/control voltage (3.3 VDC max.) input (1/4″ TRS phone jack).6 individual voice audio outputs: 1/4″ stereo phone jack (unbalanced).Main audio outputs: 1/4″ phone jack (unbalanced).Analog compressor and distortion (available on Main audio outputs).Two pressure and position sensitive touch sliders.16 pressure and velocity sensitive lit pads.Five envelope generators per voice (ADSR plus hold).Analog VCAs with programmable feedback level.One classic Curtis analog low-pass filter per voice (switchable 2- or 4-pole) with audio rate modulation, self-oscillating in 4-pole mode.Glide (portamento): separate rates per oscillator. ![]() One sub-octave generator per voice (one octave below oscillator 1).Two digital oscillators per voice loaded with over 450 drum samples and waveforms.Two analog oscillators per voice capable of producing sawtooth, triangle, saw/triangle, and variable pulse width square waves, with hard sync.In short, Tempest is a well-considered professional design that could only come from Roger and Dave, with a sonic quality and natural human rhythmic feel that are second to none, all in a compact, portable unit that measures a mere 15.4″ wide by 9″ deep by 2.5″ high Roger used his entire bag of tricks to make the swing sound very human and natural. The degree of swing timing can be adjusted in real time during playback. A beat-synced “stutter” effect is created entirely within the sequencer by looping short portions of the drumbeat on demand.Beat-synced delay is achieved by generating additional delayed note events within the sequencer.Stereo analog compressor and distortion circuits affect the stereo output mix.Plus, the sliders can be used in performance to alter beat-wide sound parameters like low-pass frequency or resonance, high-pass frequency, envelope attack or decay, and more.Ī variety of unique effects are provided while maintaining a pure analog signal path: The Playback key permits using the slider to override these parameters on playback, which can be recorded back into the beat. For example, record simultaneous filter frequency, tuning, envelope decay, and pan changes for each note. Two pressure- and position-sensitive Note FX slide controllers permit real-time recording of note or beat-wide sound parameter changes into the drumbeat as you play. In addition to the six stereo direct voice outputs, there are stereo mix outputs and phones outputs, plus two inputs for foot switches or expression pedals, MIDI in/out and USB. The ROLL button permits creating drum rolls or repeated groove patterns by varying pad pressure as the beat records, and doubles as a momentary “stutter” effect when the pads are assigned to play beats. The pads can be used to play thirty-two drum sounds (two banks), mute/unmute the thirty-two sounds on playback, play and arrange sixteen beats in real time, play one sound at sixteen tunings (in a variety of scales) or sixteen velocities, or as sixteen time steps for step programming. Sixteen pressure- and velocity-sensitive lit pads are arranged in a 2 x 8 configuration, providing intuitive access to all your fingers and the ideal compromise between the popular 4 x 4 pad arrangement (popular for real-time programming ) and 1 x 16 arrangement (popular for step programming) because Tempest does both. Although optimized for drum sounds, it excels at tuned sounds as well, and even doubles as a six-voice analog keyboard synth. ![]()
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